Liz Allan is an editor, artist, and writer, whose words extend to poetry, subtitles, and by way of voice. She is a member of the art collective AtCS, and is most recently co-constructing a queer space called Tender Center Rotterdam. Allan is managing and copyeditor of Unlearning Exercises: Art Organizations as Sites for Unlearning.

Yu-Lan van Alphen is developer and manager of the Dutch culture program at DOEN: the Bank Giro Loterij Fonds
DOEN is a member of the Arts Collaboratory network with a focus on collective governance.

Christiane Berndes is currently Curator and Head of Collections of the Van Abbemuseum, Eindhoven.

Kathrin Böhm is an artist whose work is defined by its collaborative nature and commitment to the public realm. As a member of MyVillages, Böhm is the initiator of Company Drinks and co-founder of Centre for Plausible Economies.

Binna Choi is director at Casco Art Institute: Working for the Commons since 2008.
Casco Art Institute is a member of the Arts Collaboratory network with a focus on collective governance.

Staci Bu Shea is curator at Casco Art Institute: Working for the Commons.
Casco Art Institute is a member of the Arts Collaboratory network with a focus on collective governance.

Michelle Coffey, executive director, Lambent Foundation.
Lambent Foundation leverages the critical role of arts and culture at the intersection of social justice. Through grant-making, Lambent supports contemporary art organizations based in New York City, New Orleans, and Nairobi.

Gertrude Flentge is developer and manager of the international culture and media program at DOEN Foundation.
DOEN is a member of the Arts Collaboratory network with a focus on collective governance.

Katja Fred is an illustrator based in Utrecht, the Netherlands. She is a member of Het Huis van Betekenis.

Faisol Iskandar is president of the Indonesian Migrant Workers Union (IMWU).

Ana Garzón Sabogal is director of the Más Arte Más Acción and part of the research group in alternative communication Mutó, la Radio (cartographical and non-conventional radio practices).
Más Arte Más Acción is a member of the Arts Collaboratory network with a focus on collective governance.

Ayesha Ghanchi is an artist-educator and academic with a specialist focus on critical pedagogy in arts practice. She holds a PhD in collaboration with Tate and has worked within the cultural and community sectors in diverse roles, mostly focusing on social justice and increasing engagements with arts and culture. More recently she has collaborated with BAK and the Side Room to teach and explore critical pedagogy.

Yolande van der Heide is deputy director at Casco Art Institute: Working for the Commons, where she began as an intern in 2008.
Casco Art Institute is a member of the Arts Collaboratory network with a focus on collective governance.

Sofia Hernandez Chong Guy is director at Witte de With Center for Contemporary Art, Rotterdam since January 2018.

Annette Krauss works as an artist, writer, educator. In her conceptual-based practice she addresses the intersection of art, politics, and everyday life. Her work revolves around informal knowledge and normalization processes that shape our bodies, the way we use objects, engage in social practices and how these influence the way we know and act in the world. Her artistic work emerges through the intersection of different media, such as performance, video, historical and everyday research, pedagogy, and texts. Krauss is head of the MA programme Fine Art HKU, Utrecht.

Nancy Jouwe is a cultural historian and has worked 20+ years in the NGO sector as a managing director and curator on the crossroads of women’s rights, transnational movements, and art, culture and heritage. As a researcher, curator, and project manager, she focuses on cultural and social movements in postcolonial Netherlands and lectures at HKU University of the Arts, Willem de Kooning Academy, Amsterdam University College, and CIEE. Jouwe is project leader of Mapping Slavery.

Aline Khoury coordinates the exhibitions and public programs at Al Ma’mal Foundation for Contemporary Art in Jerusalem.
Al Ma’mal Foundation is a member of the Arts Collaboratory network with a focus on collective governance.

Jussi Koitela is Head of Programme at Frame Contemporary Art Finland since August 2018. In his earlier curatorial practice he has been looking into artistic responses to economic structures and discourses in the context of Skills of Economy curatorial research. Koitela is interested in developing pervasive curatorial, institutional, and discursive practices for merged artistic practice, research and politics.

Joram Kraaijeveld is a curator, teacher, and writer. Kraaijeveld is director at Platform BK, a Dutch artist association that operates as an active think tank for the arts.

Mafalda Gomes is a project manager in the field of sustainability and zero-waste, a feminist and sexual health researcher, and a volunteer at Casco Art Institute: Working for the Commons.
Casco Art Institute is a member of the Arts Collaboratory network with a focus on collective governance.

Kabelo Malatsie is director at the Visual Arts Network of South Africa (VANSA) since June 2018.
VANSA is a member of the Arts Collaboratory network with a focus on collective governance.

Gemma Medina is an art historian, independent researcher, and curator. She is archive researcher and coordinator at Asociación de Arte Útil together with Alessandra Saviotti.

Sofía Olascoaga has worked as a curator and researcher. Her practice is focused in the intersections of art and education, through the exploration of encounters, think tanks, and public programs. Her ongoing research, Between Utopia and Disenchantment (Entre utopía y desencanto), focuses on the collective memory and genealogies stemming from intentional community models developed in Mexico in past decades. She was co-curator of the 32nd Bienal de São Paulo INCERTEZA VIVA, and academic curator at MUAC (Museo Universitario de Arte Contemporáneo – UNAM) in Mexico City (2014–15).  
Olascoaga is a member of the international network Another Roadmap for Arts Education, an association of practitioners and researchers working towards art education as an engaged practice in museums, cultural institutions, educational centres, and grassroots organisations in twenty-two cities on four continents.

Ying Que works freelance as cultural producer, facilitator, and organizer, in art, culture, and education. With a background in anarchist anthropology, her practice draws from curatorial and artistic research and is firmly based in collaborations with artists and activists. She's interested in feminist and decolonial pedagogies, cultural activism and sound. Ying was part of the Casco team from 2012–16 working on community and project and is currently active in the collectives Read-in and Niet Normaal*.

Kate Rich is a trade artist and feral economist. Since 2003 she has run Feral Trade, a grocery business and underground freight network forging new 'wild' trade routes across business, art and social interaction. She is senior lecturer in DIY media at the University of the West of England, system administrator for the Irational.org art server collective, volunteer finance manager at Bristol's Cube Microplex, co-producer of open source soft drink Cube-Cola, and a founding member of the Sail Cargo Alliance. Her ongoing preoccupation is to move deeper into infrastructure of trade, administration, organisation and economy in the cultural realm, to which end she is currently doing the groundwork to design and run the Feral MBA.

Lineo Segeote is a woman-child who engages in various forms of storytelling including writing, research, and photography. She is restless, curious, and inquisitive; co-founder and co-director of Ba re e ne re Literary Arts – an NGO that promotes critical literacy creative writing and storytelling; co-convener of the Another Roadmap Africa Cluster; freelance writer; knowledge-management consultant; and a 2016–17 Hubert H. Humphrey Fellow from Vanderbilt University in the US of A. Her time there was focused on professional development and academic study related to education administration and policy.  
Segeote is a member of the international network Another Roadmap for Arts Education, an association of practitioners and researchers working towards art education as an engaged practice in museums, cultural institutions, educational centres, and grassroots organisations in twenty-two cities on four continents.

Kuba Szreder is an independent curator and researcher and his interdisciplinary curatorial projects combine artistic practices with critical examination of society. Szreder is lecturer in the sociology and theory of art at the Academy of Fine Arts in Warsaw and co-founder of the Centre for Plausible Economies.

Ferdiansyah Thajib is a member of KUNCI Cultural Studies Center, Yogyakarta, Indonesia, and a Phd Candidate at the Institute for Social and Cultural Anthropology, Freie Universität Berlin.
KUNCI is a member of the Arts Collaboratory network with a focus on collective governance.

Erik Uitenbogaard is head of diverse economies at Casco Art Institute: Working for the Commons. Casco Art Institute is a member of the Arts Collaboratory network with a focus on collective governance.

Hodan Warsame is an educator, organiser, and moderator, currently focused on strategies for radical institutional change for justice, both from the outside and inside of organizations. She makes media and creates spaces for herself and others to develop critical and liberatory understandings of ourselves and the world. She is co-initiator of the intervention Decolonize The Museum (2014–17) and founded Redmond, an intersectional feminist collective active between 2013 and 2017 that created critical online and offline spaces for women and queer people of color.